Praised by the Houston Chronicle for her “warm supple soprano” and by the New York Times for her “radiant” and “handsomely resonant voice,” soprano Nicole Heaston has appeared with opera companies throughout the world, including the Metropolitan Opera, Houston Grand Opera, San Francisco Opera, Dallas Opera, Washington National Opera, Los Angeles Opera, Semperoper Dresden, Deutsche Oper am Rhein in Düsseldorf, and the Glyndebourne Festival in England.
Heaston’s engagements for the 2016/17 season include Adina in L’elisir d’amore at the Houston Grand Opera, Haydn’s The Creation with the Houston Symphony, La contessa Almaviva in Le nozze di Figaro at the Boston Lyric Opera, and Donna Elvira in Don Giovanni with the Kalamazoo Symphony Orchestra.
Engagements for the 2015/16 season included Alice Ford in Falstaff at the Royal Danish Opera in Copenhagen and La contessa Almaviva at Den Norske Opera and the Utah Opera. In the 2014/15 season, Heaston sang Pamina in Die Zauberflöte at the Houston Grand Opera, the title role in Alcina at the Royal Danish Opera, and was the featured vocal soloist in the Houston Ballet’s staging of Stravinsky’s Les Noces. Her engagements for the 2013/14 season included Alcina at Den Norske Opera, Arminda in La Finta Giardiniera at the Glyndebourne festival, and the featured soloist in Of Blessed Memory at the Houston Ballet. In the 2011/12 season, Heaston sang Alice Ford in Falstaff with Opera de Lausanne and the title role in L’incoronazione di Poppea at the Semperoper Dresden.
Heaston has established a long-standing relationship with Houston Grand Opera, beginning as a member of the Houston Grand Opera Studio. Her debut with the company was in the title role of Roméo et Juliette, and she has since been heard as Gilda in Rigoletto, Susanna in Le nozze di Figaro, and Zerlina in Die Zauberflöte. Heaston also created the title role in Houston Grand Opera’s world premiere of Jackie O, subsequently recording the opera for the Argo label.
Since her debut at the Metropolitan Opera as Zerlina in Don Giovanni, Ms. Heaston has appeared regularly with the theater, singing Ilia in Mozart’s Idomeneo, Pamina in Die Zauberflöte (conducted by James Levine), and Echo in Ariadne auf Naxos. A regular presence in opera houses throughout the United States, Heaston recently sang Musetta in La Bohème with the Fort Worth Opera, Lyric Opera of Kansas City, and for her debut with New York City Opera alongside Rolando Villazon (which was recorded and broadcast nationwide). She has performed the role of Oscar in Verdi’s Un Ballo in Maschera with the San Francisco Opera, Dallas Opera and Lyric Opera of Kansas City, and she has sung Gilda in Rigoletto at the Nashville Opera and Opera Grand Rapids. Heaston made her debut with the Michigan Opera Theatre as Nanetta in Falstaff and has since returned to the company as Susanna in Le nozze di Figaro. She sang Despina in Cosi Fan Tutte with the Dallas Opera and made her debut with the Washington National Opera in the role of Pamina. Heaston made her debut at the Glimmerglass Opera in New York as Susanna, performing the same role at the Wolf Trap Opera in Virginia, and sang the role of the Princess in Respighi’s La Bella Dormente nel Bosco at the Spoleto Festival and the 2005 Lincoln Center Festival.
In recent seasons, Heaston made her Italian debut in Adriano in Siria at the Fondazione Pergolesi in Jesi, Italy. She also made her debut at the Los Angeles Opera as Musetta in La Bohème, joined the New Orleans Opera in Rigoletto, and returned to Carnegie Hall for the Marilyn Horne Foundation “The Song Continues” annual recital. Heaston performed in Le nozze di Figaro with Opera de Lille and The Creation at the Teatro Carlo Felice, and she sang Donna Elvira in Don Giovanni for her debut at the Glyndebourne Festival and the title role in L’incoronazione di Poppea for her debut at the Semperoper Dresden.
Heaston made her European operatic debut as Anne Truelove in Stravinsky’s The Rake’s Progress in Montpellier and sang Zerlina fin Die Zauberflöte at the Deutsche Oper am Rhein. She performed the role of Drusilla in Monteverdi’s L’Incoronazione di Poppea for her debuts at the Festival in Aix-en-Provence and at the Vienna Festwochen. She sang the role of Eve in Haydn’s The Creation for the Flanders Opera in Belgium, and sang performances of Gluck’s Armide with Les Musiciens du Louvre under the baton of Marc Minkowski, which was recorded for Archiv Production Deutsche Grammophon. Other collaborations with Maestro Minkowski have included Pergolesi’s Stabat Mater in Grenoble, France, and an appearance in William Klein’s motion picture Le Messie, based on Handel’s Messiah, for which she also recorded the soundtrack.
Equally active as a concert and recital soloist, Heaston has performed with orchestras throughout the United States, including the Detroit Symphony Orchestra, Indianapolis Symphony Orchestra, and National Symphony Orchestra for the Kennedy Center’s 11th annual gala. She has performed Handel’s Messiah with the Baltimore Symphony and the University Musical Society in Ann Arbor Michigan, and she has appeared in concert with the Fort Worth Symphony, performing Mozart’s Exsultate Jubilate and Mahler’s Symphony No. 4. Ms. Heaston was heard in Mozart’s Requiem with the Honolulu Symphony and Bach’s B Minor Mass with Boston Baroque, which was recorded for the Teldec label and nominated for a Grammy® Award. She debuted at Carnegie Hall in recital at Weill Recital Hall, and she has previously given recitals at William Jewel College in Kansas City and for the Marilyn Horne Foundation. Ms. Heaston also performed as a guest artist for the Cleveland Arts Song Festival and has given recitals in Grenoble, France; Little Rock, Arkansas; and Jacksonville, Florida.
Nicole Heaston completed her Masters Degree in Voice at the Cincinnati Conservatory of Music and received her undergraduate degree in music at the University of Akron. Her various awards and prizes include the Shoshana Foundation Grant, Robert Weede Corbett Award, Oper Guild of Dayton Competition, Opera/Columbus Competition, San Antonio Opera Guild Competition, Metropolitan Opera Regional Audition-Encouragement Award, and Houston Grand Opera’s Eleanor McCollum Award Competition.